Day and night, we move forward with the film. Here's An indication: Compare the old chart (a list of segments) with the new chart (final post production stages).
We are fortunate to have helpers.
Intern Brad (now working on final stages of a CD project of monologues) . . .
And Tara, in the other . . .
|Tim, creating tracks for dolly shot|
(enlarge to see Anne in mirror)
|Rebekah & Anne|
As we work on editing the last remaining segments, we also prepare files for the colorist and consult with a possible distributor and our audio sweetening person. AND we just shot another scene, for our Montreal segment. (I love the production part: creativity & chaos. I got to be a PA, gaffer, costumer, hair & makeup person, prop assistant, foley artist for sound effects . . . )
|Brad & Tim, creating a set|
|Brad imaging himself as a Toronto reporter|
|Brad as the Toronto reporter|
|Tara, doing double duty as lighting helper|
|Brad, sanding pvc pipes for dolly shot|
|Anne being foley artist for typewriter sound effects|
|and doing hair|
|Reporter in the monitor|
|another angle, dolly shot|
|Tim on dolly shot|